*Recording Begins*
Pain.
Pain
is the first thing she is aware of.
It
swamps her senses and she instinctively takes a ragged searching gasp. Pain,
pain scorches along her ribs and suddenly she remembers...
Movement, whirling black
and red and super novaing colours swirling nightmarishly around her. She
struggles, grasping weakly at damaged armour. She flails helplessly, her body
no longer under her control. Gasping, thrashing she reaches again and finally
feels it. Severed tubing and links and the gushing that tells her what she
already knows. She’s running out of oxygen. Her lungs begin to seize and dots
appear in front of her eyes. She can’t breathe...
No
that’s not right. She takes another breath. The pain is still there but is centred
along her ribs, not her lungs. She frowns.
More
pain. Like fire dripping along her face. Instinctively she reaches up and
touches it, fingers running across jagged, ripped areas of flesh. They are
tender and seem to sizzle at her touch. Scarring. Open scarring. She’d been falling
hadn’t she? Falling through space. Being pulled in to gravity. Did this cause
the scarring? Surely she could not have survived.
A memory flashes of a man, built with aspects
of machine. A wound. Healing. A long line of fire red scarring, the effect of
healing biotics and flesh. Biotics. Is she biotic? That doesn’t seem right...
“Shepard.”
Shepard?
Shepard.
That’s right. Shepard. Alliance. Spectre. The Normandy. Faces swarm to her from
the dark, turian, krogan, human, asari, quarian. Friends. Comrades. But
something is wrong.
She
tries to open her eyes.
Light
seers down at her, firing through her synapsis and burning all the way.
Light like ribbons.
Metal tearing. Screams, pain, death.
What
was that? She tries to move but her limbs are languid, heavy. A hypospray
presses into her neck and she manages to smile as she feels its effects
sweeping through her body. Good ‘old doc. An
image of silver hair, a stern look, with a knowing smile hiding in its corners.
She always knows what is needed.
“Shepard,
you need to get up.”
That’s
not the doc.
Where
is she?
She
tries again to open her eyes. Stifles a groan as the light invades her senses.
Not as strong as before but still... painful. Reaches up and touches her
scarring again.
“Good
you’re awake.” The voice speaks again.
Has
she heard it before? She doesn’t know it, she’s sure, and yet still... it is
familiar. She looks around. It’s a medical facility, analytical, white and
clean. It’s nowhere she has been before and yet... like the voice, it sparks
something in her. Like a dream. A dream she barely remembers. She tries to sit
up and winces, grabbing at her ribs. Ahh yes, she can feel it now. This pain is
known, broken but healing ribs if she is any judge, an injury she has suffered
many times before.
“Shepard,
we are under attack.”
Alarms peal mere moments
before the attack hits. She’s thrown into a side wall as the enemy weapon rips
through the Normandy like it is butter. The damage is incredible and in that
moment she knows the Normandy is done for.
“Commander!” a voice
yells as someone runs through the wreckage towards her.
“Evacuate” she orders.
“The
Normandy.” she says, ignoring pain as she swings to her feet. “Where am I?”
“We
don’t have time for that right now.” The voice says, and now that the daze is
wearing off she can hear the unmistakable urgency in the tone. “This facility
is under attack. To your left is a locker. Your armour is inside. There should
be a pistol located in the weapon rack directly to the side of it.”
She
slides it open and checks the pistol in the rack. Undocking it, she
automatically taps the barrel, feeling the slight surge in her fingertips as
she alters the pistol to fire specialised rounds. Clicking the safety off, she
slides the clip back, the familiar movements helping to stabilize her sense of
perspective.
“Clips
empty” she tells the voice.
Nothing
is said in return.
She
shrugs and pulls out the armour. It’s... different. Similar to her old N7
armour but updated, carrying additional weapon clips and boosts for stamina,
accuracy, health. She recognizes the designs but in a way that is only vague.
Weren’t these only in initial design stages? She’s pretty sure she saw the
drafts in the Spectre’s classified armour schematics.
She
begins fitting the armour on. It fits, better even than her old gear and some
part of her can’t help but note the subtle tell tales of personal design. It’s
a dark matt black, with edgings of brilliant palaven blue, her favourite
colours and she can’t help but wonder who had informed the makers of this.
They
never gave her armour like this in the Alliance.
Something
twinges in her memory but she shoves it away, focused on the current mission, a
habit too old for her to break. Hanging from the locker is a visor and she
straps it on, a band that clips from the back of her head to her brow, one long
strip of lcd panel hanging over her left eye. It activates and she notes with
interest that the read-out, although clear to her eye, does not interfere with vision.
A
scan is taking place and as she clips the empty gun to her side a wave of data
appears. In that instant she knows something is deeply wrong.
The
scan was of her body.
She
is filled with cybernetics.
With
a sense of horror she notes the extensive bioware that runs through her body.
Her right shoulder is more machine then flesh, her left arm boosted with
bionetics that run through her omni-tool. Patchwork is shown along a lot of her
skeleton and she has to wonder in that moment how badly injured she was.
She was falling,
gasping, the planet looming before her dying eyes.
She
fell? Through space? How could anyone have gotten to her in time…
“Shepard!
The doors are going to blast! Get to cover!”
The
instinct of battle takes over and she sprints to a machine, sliding in so that
her back is to it and covering her ears. The blast as the doors give is
deafening none the less and as the concussive wave hits her, she is momentarily
blinded by the image that swims before her eyes.
Joker stares at her, his
eyes despairing, reaching with his unbroken hand, mouth moving in words she
cannot hear. Her fingers slip, sheer metal pertaining no grip, armour unable to
hold on. More of the bright light flashes between them and she knows it is
over. Her fingers loosen more and as a concussive blast flings her into space
she reaches out with everything she can muster and punches towards the escape
pod button.
Gods let her have
activated the release...
Joker!
He’d been up there with her. The only one not off the Normandy when it
exploded. Had she managed to push the button? Or had she failed and left him to
die up there with her?
Her
vision clears and she shakes her head. No. She remembers the hatch closing. She
remembers the look in his eyes when he realised what she was doing. The look
when he knew she wasn’t going to make it.
The
voice is speaking to her again and following it’s instructions she dives
through the doors, scooping up the ammo clip just outside the room.
“What’s
going on?” she growls as she slides the clip in, hearing the reassuring purr of
ammo sliding in and activating the weapon.
“This
facility is under attack. Someone has hacked into the security system. The
mechs are no longer under our control.”
Mecs.
As
if she was reading the screen of her omni-tool, information flashes to the
front of her brain.
Mecs. Vulnerable to
synthetic ammunition. Best area of attack: headshot. Result: Explosion,
damaging surrounding adversaries.
She
alters her weapon accordingly and asks the next question. “Who are you and
where am I?”
“My
name is Miranda. This facility is called Lazarus. There isn’t time for anything
else. You need to go. Now.”
And
she does.
She
was a soldier. She’s fought in more wars than she has spent in peace. She knows
how to follow the instructions barked out at her. But she is also a Spectre.
And alone. She hacks her way through databases and safe’s alike as she moves
through the building. She needs to know what is going on.
Where
is her crew?
What
is Lazarus?
What
has been done to her?
Her
name is Shepard. Commander. Spectre.
She
will get answers.
* Recording Ends *

*frowns* You remember that too, huh?
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